-
Army Life, a documentary directed by Robert W. Paul on the training techniques of British soldiers. Most of it is currently lost. It was one of the oldest proto-feature films - 20 short films that when combined could have been seen as a feature film. Combined together, it was originally over an hour in length and over two hours when combined with a lecture and slides.
-
-
As Seen Through a Telescope, directed by George Albert Smith. May be the first example of editing between medium and close-up shots in cinema.
-
Automobile Parade, directed by William 'Daddy' Paley.
-
-
Danse Serpentine (In A Lion's Cage), directed by Alice Guy.
-
-
-
Going to Bed Under Difficulties, directed by Georges Méliès; possibly contains the first "Infinite Clothing" trick.
-
Grandma's Reading Glass, directed by George Albert Smith. One of the earliest examples of editing between medium and close-up shots in cinema.
-
How He Missed His Train, directed by Georges Méliès.
-
-
Joan of Arc, directed by Georges Méliès.
-
The (New) Kiss, remake from The Edison Studios of their popular (and controversial) 1896 film.
-
Ladies' Skirt Nailed to a Fence, produced by Bamforth & Co Ltd.
-
Let Me Dream Again, directed by George Albert Smith. May be the first attempt at a dissolve between 2 shots in cinema.
-
Le village de Namo - Panorama pris d'une chaise à porteurs, directed by Gabriel Veyre.
-
Messrs Lumb And Co., Leaving The Works, Huddersfield, produced by Mitchell and Kenyon.
-
Eine moderne Jungfrau von Orléans, directed by Max Skladanowsky.
-
The One-Man Band, directed by Georges Méliès. One of the earliest use of multiple exposures in cinema (In this film, 7 exposures).
-
Reproduction of the McGovern and Dixon Fight, starring Terry McGovern and George Dixon.
-
Rough Sea, produced by Bamforth & Co Ltd.
-
-
20,000 Employees Entering Lord Armstrong's Elswick Works, Newcastle-upon-Tyne, produced by Mitchell and Kenyon.
-
-
|