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After The Ball, directed by Georges Méliès. First film to create the illusion of female nudity through a skin looking designed costume.
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Baignade dans le torrent, directed by Alice Guy-Blaché.
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La Bandera Argentina, believed for a long time to have been the first Argentine film. Now considered lost.
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Between Calais and Dover directed by Georges Méliès. A fictitious sea crossing.
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Buffalo Police on Parade, produced by Edison Studios.
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Chicago Police Parade, directed by Louis Lumière.
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The Corbett-Fitzsimmons Fight, a documentary directed by Enoch J. Rector. The first film shot in widescreen. At an hour and 40 minutes, it is the first known feature film ever made.
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Cupid and Psyche, produced by Edison Studios.
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An Hallucinated Alchemist, directed by Georges Méliès. May be the first film to feature stop motion animation in cinema.
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Horses Loading for Klondike, directed by James H. White.
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Kørsel med Grønlandske Hunde, directed by Peter Elfelt; the first Danish movie sequence ever filmed.
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The Last Cartridges directed by Georges Méliès. A dramatised war scene.
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Leander Sisters, produced by Edison Studios.
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Leaving Jerusalem by Railway, directed by Alexandre Promio and released by the Lumière brothers. May include the first moving camera shot in cinema.
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Lurline Baths, produced by Edison Studios.
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Making Sausages, directed by George Albert Smith.
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The Milker's Mishap, directed by James H. White; it is unknown whether or not this film has survived.
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Niagara Falls, directed by Louis Lumière.
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Peeping Tom, a production of the American Mutoscope Company. A comedy.
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Sea Fighting in Greece directed by Georges Méliès. A dramatised naval war scene.
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Seminary Girls, directed by James H. White.
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Spanish Bullfight, directed by Louis Lumière
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Sutro Baths, No. 1, produced by Edison Studios.
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The X-Rays, directed by George Albert Smith. Cited as one of the first examples of special effects by jump cut.
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